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Workshop

 

The Workshop Performance Benefit

Serenade at the 2004 Workshop Performances
Photo by Paul Kolnik; Choreography by George Balanchine
© The George Balanchine Trust


Workshop Performance Benefit

Performance and Dinner Dance

June 1, 2009

 

 

 

The Workshop Performance Benefit is The School of American Ballet’s most anticipated event of the year. The annual Workshop Performances are the School’s only public performances and a rare opportunity to get a sneak preview of the ballet world’s up and coming young stars.  An all-Balanchine program in celebration of the School's 75th anniversary year will feature Serenade, the first ballet George Balanchine choreographed in America using students from SAB in 1934.  Serenade, also celebrating its 75th anniversary, endures as a classic work that is performed today by ballet companies around the world.

 

A benefit dinner follows the Monday evening performance, and attracts more than 550 arts patrons, corporate VIPs and New York’s social elite for a seated dinner and dancing in the SAB studios, which are transformed into elegant dining rooms for the evening.   

 

Proceeds from the Workshop Performance Benefit support all aspects of the students’ training, including an extensive $1.3 million scholarship program ensuring that all children who are accepted to the School – including those from disadvantaged backgrounds – are able to attend.

 

Workshop Performance Benefit Overview

 

Date: Monday, June 1, 2009

 

Time: 7 pm performance, 9:30 pm dinner and dancing

 

Location: Peter Jay Sharp Theater at Lincoln Center

The School of American Ballet at Lincoln Center

 

Honorary Chairman: Howard Solomon

 

Chairmen: Stuart Coleman, Amy Mazzola Flynn and Carolyn Wright-Lewis & Edward Lewis

 

Tables: $25,000; $15,000 and $10,000 (Tables of ten)

 

Tickets: $2,500; $1,500; $1,000 and $750

Young Patron’s: $300

 

THE SCHOOL OF AMERICAN BALLET is the preeminent academy for classical dance in the United States.  Faculty, students and alumni all share an ethos of rigor, passion and professionalism. The School is shaped by the artistic principles of founder George Balanchine, who developed a uniquely American way of dancing emphasizing speed, musicality and expansiveness. Led by Artistic Director Peter Martins, SAB is the official school of New York City Ballet. In addition, no other American school has placed as many students with professional companies domestically and abroad.    

 


 
 

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joyce@blacktiemagazine.com

 
 

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