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Black Tie International:
Liu Haofeng, United Nations, NYC
Liu Haofeng, Eastern Cultural Renaissance Bearer

Liu Haofeng, Eastern Cultural Renaissance Bearer
 Hosts the Oriental Art Exhibition
at the United Nations, NYC
 

Artist,  Liu Haofeng,
is a native of Gao Tie, in northern Shaoyang .
 He is the founder of the "He" study, an international famous thinker and writer.
In 2010, won the Ministry of Foreign Affairs National Art Master;
in 2015 he  won the American Academy of fashion and art academicians;
in 2016, Tokyo Metropolitan Museum of art won the 16 back to Japan International Painting and calligraphy exchange exhibition gold medal.
 
In 2017, the United Nations General Assembly hosted the Oriental Art Exhibition and He won the distinguished contribution award.  

"As a Contemporary famous thinkers, philosophers, artists, critics, writers, poets, and established painting genre of 'He'. "

Mr Liu Haofeng is a distinguihed Asian American World Chinese Newsweek writer, magazine editor.
The chairman of the academic committee of Shanghai Xiangmei Art Museum;
"He cultural" International Art Festival total academic chair; consultant of New York contemporary art and Artists Association China guest artist

Senior advisor of Changsha He cultural research society; member of Chinese logic society; member of Chinese dialectics research society.
The United States Congress American network television consultants;
Hunan association director; Chen Fujian Sanshan guild advisor.

His works are collected by international friends, the president of Mauritius, king of Malaysia, crown prince of Thailand Sirindhorn, United States president consultant Wolf, as well as the domestic political and business circles of high-end.   

He has more than ten academic works have spanned mathematics, logic, psychology, ethics, politics, economics, aesthetics, history, astronomy, life science,
religion, philosophy.  

Representative works:
 "Science and Chinese cultural heritage and open new" (2013 Jiu Zhou Press)
“Chinese cultural renaissance anthology" (three volumes),
"He Studies", "Aesthetic Principle",
"Science World Renaissance" (Chinese promote Federation press, 2013),
"China’s economy and people’s life under the WTO", "Network Home" etc. Literary novel "Black and Day Trilogy" (2010 China Federation Press)
 has hailed as the twenty-first Century "Chinese cultural renaissance theory bearer"
and "Oriental Cultural Renaissance standard bearer" by the Chinese Ministry of culture’s "pure" magazine, "Asian News Weekly", New York TV, Tokyo ICN international business "," Japan in the United States "Rich" magazine.

He has been featured in  "Figaro", "American cable TV", "Hong Kong cable TV news", "Wall Street Financial New York Times", CCTV, Guangdong TV, Radio France, New York first channel, the United Nations Correspondents Association,
New York ICN international satellite TV, Tokyo television, the United States Congress "on business", "world news" and other domestic dozens of world famous media reports.

 

 

东方文化复兴旗手刘浩锋联合国主持东方艺术展

The Ocean Conference, United Nations, June 5, 2017

   

刘浩锋,祖籍高铁邵阳北,和学创始人、国际著名思想家、作家。2010荣膺外交部国礼艺术大师;2015年荣膺美国时尚与艺术研究院院士;2016年东京都美术馆荣获16回日本国际书画交流展金奖。2017年联合国大会学术主持东方艺术展,获杰出贡献奖。

当代知名思想家、哲学家、艺术家、批评家、作家诗人,开“和主义”绘画流派。亚洲新闻周刊主笔、美国世界华人杂志社主笔。上海香梅美术馆学术委员会主席;“和文化”国际艺术节学术总主持;纽约当代中国艺术家协会艺术顾问和特约艺术家。

长沙和文化研究会高级顾问;中国逻辑学会会员;中国辩证法研究会会员。美国国会网络电视台顾问;旅美湖南同乡会理事;旅美福建三山会馆顾问。

    作品被国际友人毛里求斯总统、马来西亚国王、泰国王储诗琳通、美国总统顾问沃尔夫等,以及国内政商学高端人士等收藏。

    学术著作十余部,横跨数学、逻辑学、心理学、伦理学、政治学、经济学、美学、历史学、天体学、生命学、宗教、哲学。代表性学术著作有:《和学—中国文化传承与开新》(2013九州出版社)《中华文化复兴文集》(三卷本),《和学概论》、《美学科学原理》、《世界文艺复兴的推动》(中国文联出版社,2013)、《世贸中的中国经济与百姓生活》、《网络为家》等十来部,文学长篇小说《黑与昼三部曲》(2010中国文联出版社),被中国文化部《赤子》杂志、《亚洲新闻周刊》、纽约ICN国际卫视、东京《日中商报》、美国《富豪》杂志等誉为21世纪中华文化复兴理论旗手、“东方文化复兴旗手”。

曾接受过《费加罗报》、《美国有线电视》、《香港有线电视》、《华尔街金融报》、《纽约时报》、CCTV、广东卫视、法国广播电台、纽约第一频道、联合国记者协会、纽约ICN国际卫视、美国国会电视台、东京《日中商报》、《世界日报》等国内外数十世界知名媒体报道。

 

liu haofeng at the un

The right six is curator and academic director Liu Haofeng
and UN related staffs

 

Recently, the United Nations Ocean Conference, sponsored by Sweden and Fiji, the 193 member of the United Nations, more than a dozen heads of state and heads of government, more than 70 ministers and leaders from all walks of life nearly 5000 participants held at United Nations Headquarters in New York. The contemporary Chinese most famous thinker, He founder of Liu Haofeng, as the Oriental Cultural Renaissance academic leader, was invited curator chaired a UN Oriental Art Exhibition, and won the outstanding contribution award issued by the organizers relevant United nations.

Liu Haofeng was praised by China and the mainstream media of Asia as a Chinese cultural renaissance banner thinker. Because of the almost human ancestor Fu Xi's origin, development of Neo Confucianism, advancing through the logical relationship between basic science, humanities and natural science, the Confucianism, Shi, Dao, Ye, Hui five back to one, and then reach the unity of science and religion, founded in twenty-first Century – He Study.

 

(图右六为策展人与学术主持刘浩锋以及联合国相关工作人员)

 

近日,由瑞典及斐济两国主办,联合国193个会员国、十几位国家元首与政府首脑、70多名部长以及各界领军人物近5000人参加的联合国海洋大会在纽约联合国总部举行。当代中国最著名的思想家、和学创始人刘浩锋,作为东方文化复兴的学术领军人物,被隆重邀请策展主持联合国东方艺术大展,并获得了联合国相关主办方颁发的杰出贡献奖。

 刘浩锋曾被中国与亚洲主流媒体赞誉为中国文化复兴旗帜性思想家。概因其溯源人文始祖伏羲天道,拓展了宋明理学,与时俱进打通了基础科学、自然科学与人文科学的逻辑关系,完成了儒释道耶回五教合一,进而达成科学与宗教合一,创建了极具震撼人心的21世纪显学——和学。

 

Liu Haofeng takes part in the UN General Assembly

Reporters learned that, during the United Nations General Assembly during the exhibition, artists from all over the world, there are hundreds of artists to display their unique works of art.

According to Liu Haofeng, regardless of painting, film and television, installations and other arts, artists, through their use as language tools, are talking about the theme of sustainable marine development and world peace.

The topics of the Congress believes that the transformation of mode of thinking, from unilateralism to the multilateral cooperation, and how to reach the depth of cooperation in the legislative, institutional and spiritual level, to resolve the crisis problem of marine increasing, contributed to the ocean and the sustainable development of the world peace. The international information development organization has put forward the idea of "maritime Silk Road" to promote the sustainable development of the world's oceans.

Liu Haofeng told reporters, as an artist participating in China, except for a few more traditional artists, most of them are representatives of
 domestic avant-garde artists.
 

Known as the master of the Shanghai International Association of artists Lin Ximing, Chinese artists association vice chairman Zhang Zhaoda, Hao Fangyuan, founder of the integration of art, Fine brushwork painter Li Shien, sculptor Tao Yonghua, Ningbo white water gallery curator Zhang Shunchuan He Bingqin, Jingdezhen ceramic conference of world culture and art artistic director, photographer Lin Xufeng, have come up with their own representative participating interest all over the world which  resonated with the delegates.

As curator, academic director and artist in one, Liu Haofeng took two representative oil paintings to the exhibition.

                   

(刘浩锋参加联合国大会)

记者了解到,本次在联合国大会期间参展的艺术家来自世界各国,有上百艺术家展出其独特的艺术作品。

据刘浩锋介绍,无论绘画、影视、装置等各类艺术,艺术家们通过其作为语言工具,在言说海洋可持续发展与世界和平的主题。

大会议题认为,思维方式的转化,从单边主义转向多边合作主义,以及如何在立法、制度、精神等层面达成深度合作,解决海洋日益增加的危机问题,促成可持续发展的海洋与世界的和平。国际信息发展组织提出了海上丝绸之路促进世界海洋可持续发展的理念,影响良好。

刘浩锋向记者介绍,作为中国区参展的艺术家,除少数是传统特征多一点的艺术家,大都是国内前卫的代表性艺术家。被誉为海派一代宗师的林曦明,国际中国美术家协会副主席张肇达、一体化艺术创始人郝方圆、工笔画家李世恩、雕塑家陶永华、宁波白水美术馆馆长张顺川、景德镇陶瓷美术学院院长何炳钦、世界文化艺术大会艺术总监、摄影家林旭峰等都纷纷拿出了自己的代表作参展,引起世界各国参会代表的兴趣与共鸣。

作为策展人、学术主持、艺术家于一身的刘浩锋,特拿出两幅代表性油画作品参加了展览。

liu haofeng

(刘浩锋的油画代表作品失道参加联合国东方艺术大展)

作品名称“失道”,通过一张让人印象极为深刻的变形脸谱,高度浓缩了艺术家对人心失衡与思维方式偏执形成畸形恶果的批判。海洋危机,更深原因在于人类的思维方式偏执,寻求自己方的利益最大化而不顾他者、海洋与自然的平衡发展,最终导致了全面的失控与恶果泛滥。

记者向刘浩锋了解,何为东方文化复兴?东方文化复兴依据的哲学与美学基础是什么?欧洲文艺复兴的惯性与历史荣耀还能继续走下去?

据刘浩锋介绍,由西方主导的世界当代艺术日渐式微已是共识。当代艺术虽然融入各种形态的艺术,但以后现代艺术为时代性主体。自欧洲文艺复兴后至今,如果说,现代艺术突飞猛进的发展,影响并主导了世界艺术哲学与审美范式几百年,那么,后现代艺术则沿着现代艺术的轨迹,通过解构主义手法对自身的批判解构,滑向了颠覆自我的悖论困境,出现了价值虚无主义与形式细片化的困境。

所谓价值虚无主义,就是审美脱离了审美主体。一切都是不确定性的。

所谓形式细片化,就是世界即审美,一切随意、偶发、自然的东西,都可以通过场域置换达成艺术的表现形式。这一始作俑者,是1917年,马塞尔•杜尚(Marcel Duchamp) 用半工业品便池创作的作品《泉》,并成为了21世纪世界最昂贵的艺术品之一。

这一思想引发的对世界艺术的影响,尤其对中国当代艺术的影响,极为深远。在北京798艺术区和宋庄国际艺术区等地,可以到处看到毫无意识的色彩涂抹,为了追求创新的形式语言,在世界即审美的引导下,一切偶发随意的方式都可以作为一种创作表达。行为艺术、大地艺术由此延伸出来。然而,在短暂的烦嚣过后,随着西方艺术资本的抽离,当代艺术尤其是中国的当代艺术旋即跌入冰谷。不仅当代艺术史无法续写,艺术家们精神上陷入了空前的价值虚无主义困境。一切都可以是艺术品,一切都是艺术的状态。那么,艺术品如何变现,解决形而下的问题呢?每个人都热衷依赖一些批评家、收藏家建立一个在严酷的商业性环境下可以生活下去的圈子。丧失了审美价值标准后的艺术界,成了一个必须到处拜干爹干娘干爷干奶的艺术江湖。艺术变得异常功利而短视。

liu haofeng

                (各国参会代表用餐看展)

至此,欧洲文艺复兴开启的荣耀道路已经无法继续下去。西方艺术随着西方哲学的衰竭而日渐式微。世界艺术的未来道路在哪里?

刘浩锋向记者介绍道,由于后现代哲学对现代主义中心价值个人理性的质疑,导致后现代艺术对现代艺术的颠覆。再往前看,正是个体理性替代了上帝中心位置的欧洲文艺复兴与启蒙运动,导致了对基督教上升时期古典艺术秩序的颠覆。简单而言,就是西方艺术随着西方哲学宗教的变迁,不断从价值主体“人与上帝合一”,到人脱离上帝怀抱的个人主义替代上帝位置的现代主义艺术。再到质疑个人理性,解构一切传统中心价值的后现代主义与后现代艺术。所以,当代艺术是以后现代艺术为主体融合各种艺术形态的大杂乱大混合时期,也是世界艺术黎明前的黑暗时期,它意味着世界艺术必须出现一次根本性的大转折,才能走出黑暗,看见旭日东升。这个世界艺术大转折,是以世界文化多样融合的大转折为基础的,它在世界艺术史的位置,就是爆发一场世界性的文艺复兴。它的思想资源来自于东方。

所以,当代最伟大的历史学家,英国的汤因比认为人类的希望在东方,解决世界问题的希望在创新的具有世界眼光与时代性的中国文化身上。和学,在哲学上就扮演了这一个当仁不让的历史角色。

liu haofeng

       (图为两位联合国官方工作人员与艺术家刘浩锋合影)

刘浩锋认为,只有逻辑工具与思维方式的转向,通过复兴中国文化阴阳辩证逻辑工具与思维方式,以整体观驾驭形式逻辑的局部观,以合乎客观接纳矛盾的逻辑驾驭假设基础上排斥矛盾的局部有效逻辑,才能还原人与宇宙之间的本来关系,才能将人从虚无主义与形式细片化的困境解救出来,重新认知人与自然、人与上帝的互为亲密的关联。艺术家通过艺术语言来传播表达这一“天人合一”的价值认知与立场,就是一场自觉觉人的文艺复兴运动。

 

Gerard Mc Keon and Joyce Brooks.  Photo by:  Rose Billings/Blacktiemagazine.com

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