October
30th,
New York
City -
Christophe
Von
Hohenberg
opened
A Cornucopia In Photography at Affirmation Arts Gallery, a retrospective
of his
thirty
year
career.
A
spectacular
black &
white
photo of
Bianca a
Jagger
on
magenta
greeted
guests
upon
entering,
thus,
setting
the tone
for the
evening.
The show
had very
strong
representation
from the
artists
AIGA
Award
winning
2007
publication,
ANDY
WARHOL:
The Day
the
Factory
Died. An
excerpt
from the
book
reads, "Christophe
Von
Hohenberg's
photos
from
that
day, as
well as
other
documentary
evidence
collected
here,
have
frozen a
moment
in time.
The Day
the
Factory
Died is
a time
capsule
published
marking
the
twentieth
anniversary
of Andy
Warhol's
death."
Books
were on
hand for
the
artist
to
autograph.
I did
not
need a
book because
I
attended
Christophe's
book
launch
party
last
year and
received one. I
must
say, his
photos
and
Charlie
Sheips
historical
writing
of the
Warhol
days are
most
memorable.
Christophe
has the
title of
Baron,
although
he
chooses
not to
use it.
He has
eased in
and out
of
various
social
circles,
capturing
his
subjects
with the
'net' of
his
photography.
The mood
and tone
of the
show was
thought
provoking,
especially
those
portraits
taken at
Warhol's
funeral.
They
brought
a time
gone by
to life,
I heard
some
guests
recall
their
time
spent
with
Andy or
at
Studio
54. The
show
also
consisted
of some
amazing
nudes
and
portraiture.
I liked
everything
but
found
myself
drawn to
the
photos
from
Andy
Warhol's
funeral.
They
unearthed
powerful
emotions
in me,
perhaps
because
Andy and
I were
both
from
Pittsburgh,
perhaps
because
I was at
New York
Hospital
when he
died,
and
definitely
because
Christophe's
images
of that
day are
so
remarkable
and
clear.
His work
brought
some
clarity
to the
chaos
and
shock that
so many
people
felt
because
of the
loss of
Andy who
had
touched
so many
peoples
lives.
In a
way, I
think
Christophe's
work is
a gift
to all
of us,
those of
us who
did not
experience
the
Factory
Days can
look
back in
time
through
his
photographs.
People
who
lived in
that
generation
of time
can
remember
it as if
it were
yesterday.
Christophe
has
worked
for
American
Vogue,
Vanity
Fair,
Interview,
Rolling
Stone
and
countless
publications.
The
gallery
was
crowded
with
friends
and
followers
of
Christophes.
Who
would
have
thought
that his
first
assignment
at
Vanity
Fair to
photograph
mini
skirts
at a
funeral
would be
toasted
for
documenting
history.
Apparently,
there
were no
mini
skirts
to be
photographed
at
Andy's
funeral,
instead,
St.
Patrick's
Cathedral
was
filled
with
over
2,000
people
inside
alone.
Mourners
included
celebrities,
socialites,
politicians,
and
people
from all
'worlds'
brought
together
for a
sorrowful
occasion. If
it
weren't
for the
split
second
decision
of
Christophe
to turn
his
assignment
around and
document
Andy
Warhol's
funeral
we would
not have
this
valuable
piece of
New York
history.
Christophe's
work is
powerful.
I
enjoyed
the show
and left
feeling
that I
would
like to
see
more, it
truly
was like
rewinding
time in
a
capsule.
To learn
more go
to :
www.christophevonhohenberg.com
www.affirmationarts.com
Story by
Sara
Herbert-Galloway
sara@blacktiemagazine.com
To view more photos go to
www.herbertcollection.com