Mean Girls, book
by Tina Fey,
music by Jeff
Richmond, lyrics by Nell
Benjamin, based on the film of the same
name, at the August Wilson Theatre, has a cast
of pretty young girls and handsome young men,
choreographed and directed by Casey
Nicholaw. The theater was filled with young
teenage girls. They applauded wildly. They were
obviously the fans of the movie, which I did not
see. It is about a clique of girls in a high
school, and a new girl, who wants to join the
group. I attended an all boys high school,
founded in 1688, outside Manchester, England,
from 1943-1947. Arriving in New York, I attended
another all boys school in the Bronx for one
semester, and finished my high school education,
at a co-ed Bayside H.S. from February
1948-Jan-1949. All three schools were wonderful.
The girls at Bayside H.S. were pretty, clever,
polite and pleasant. I do not recall one mean
girl. It is hard for me to relate to movie and
stage characters who portray dumb, obnoxious,
vacuous and vicious girls. As a musical, the
music was loud, and hardly memorable, and the
choreography consisted of active movements by an
energetic cast, and again hardly memorable. The
lyrics were banal. The book had occasional funny
lines. If the musical represents American high
school girls, I fear for this country's future.
A revival of Children
of a Lesser God,
by Mark
Medoff, at
Studio 54, is a play about a teacher (Joshua
Jackson)
and a deaf student (Lauren
Ridloff).
They fall in love and marry. Trying to
achieve success in their
marriage is difficult, and eventually cause both
of them much distress and sadness. The two
actors are remarkable, one speaks, the other
uses signs language, and they both give
outstanding performances. I imagine they will
receive Tony nominations. The seven member cast
is directed by Kenny
Leon.
The opening night audience granted them a
thunderous ovation at the curtain call. The
opening night party at the Edison
Ballroom attracted a multitude of celebrities
like Cady
Huffman, Phylicia Rashad, Rosie O'Donnell, and the
playwright and his wife Stephanie who attended
the show and the-party, arriving from New Mexico
for the occasion. It was a most enjoyable
evening.
A revival of Carousel,
music by Richard
Rodgers, book and
lyrics by Oscar
Hammerstein II, based
on the play Liliom, by Ferenc
Molnar, has the most
glorious music ever written by Rodgers. It was
his favorite musical. It has also the most
sentimental lyrics by Hammerstein. A song like You'll
Never Walk Alone has
almost become an anthem. If
I Loved You is a
magnificent duet and the solo Soliloquy is
incomparable. It is a pleasure to listen to all
of songs, especially with outstanding singers
like Jessie
Mueller, Joshua Henry, Renee
Fleming, Lindsay Mendez and Alexander
Gemignani. Jack
O'Brien directed the
excellent cast and Justin
Peck was responsible
for the choreography. The highlight of this New
York City Ballet's dancer and choreographer was
all male Blow
High, Blow Low, which
received a thunderous applause. The story is a
little grim, because the hero is abusive to his
wife, but all is resolved at the end when he
returns to earth for one day after committing
suicide in a botched robbery. The opening night
party at Cipriani 25 Broadway was filled with
guests like Ted
Chapin, John Lithgow and Ben
Vereen..
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Admissions, by Joshua
Harmon,
at the Mitzi E. Newhouse Theatre, is a play about
liberal parents (an excellent Andrew
Garman and
an always brilliant Jessica
Hecht) and
their frustrated son. He is denied entrance to Yale,
and spends his time on stage being quite nasty,
using the usual profanity that we are compelled to
hear in the theater today, while screaming at his
parents. It focuses on the question of diversity,
racism and the quota system. It is a worthwhile
subject. The cast is directed by Daniel
Aukin.
The Musical of Musicals,
music by Eric
Rockwell,
lyrics by Joanne
Bogart,
book by both, was given a one night performance at a
special gala for The York Theatre Company. The eight
member cast performed five selections of music in the
style of five different Broadway composers. The
excellent cast was directed by Pamela
Hunt. It
was highly entertaining.
I attended a Funeral Mass for my dear friend, Daily News
Reporter Alice "Pat"
O'Haire Gural at St. Malachy's R. C. Church. She
passed away at 91 years of age. Pat, Daily
News photographer Richard
Corkery and I, a photographer for the New York Post,
spent almost 40 years attending 2 or 3 events every
night photographing celebrities, with Pat writing about
them. They were glorious times. Her niece, Angela,
also arranged a memorial luncheon after the Mass at
Rosie O'Gradys, 800 7th Avenue, where her family,
friends and colleagues gathered. Among the guests were Gail
Parenteau, Kate
McGrath, Richard Corkery and his wife, Alice,
Harry Haun and Charles
Nelson.
The National Chorale and the National Chorale Orchestra
performed at David Geffen Hall. It was their 50th
Anniversary Celebration. The program began with six
selections by Ralph
Vaughan Williams, Beethoven and Glen
Roven.
The highlight came after the intermission when
Beethoven's Symphony
No. 9 in D minor, Op. 125 was
performed, with four splendid singers, conducted by
Artistic Director Everett
Mccorvey. Before
the concert, my wife and I were invited to a lovely
reception at the Phillips Club, with board members, who
arrived from Kentucky with typical food and
chocolate from that state, plus fine wines and Maker's
Mark, a superb Bourbon Whisky. I am Kentucky's biggest
fan. It was a lovely party.
Point Foundation celebrating the accomplishments of
LGBTQ students honored Ronan
Farrow and Laura
Benanti at the Plaza. Among the many guests at the
gala was Valerie
Smaldone. It was a lovely event.
I went to a marvelous luncheon at Tuscany
Steakhouse, 117 West 58th St, for Daniel
Franzese. The food was delicious and the wine
was exquisite. We had a choice from three appetizers,
four entrees and a dessert platter. Please visit this
wonderful restaurant. You will be well satisfied.
I photographed director George
C. Wolfe and Denzel
Washington and his cast members of The Iceman
Cometh at Delmonico's, 56 Beaver St. I eagerly look
forward to opening night on Thursday April 26 at the
Bernard B. Jacobs Theatre, 242 W. 45th St.
I photographed the creative team and cast
of Soft Power, by David
Henry Hwang, music by Jeanine
Tesori. They performed three songs. It opens in
California on May 3. I hope it comes to New York.
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