On Broadway, The Children, by Lucy
Kirkwood, at the Samuel Friedman
Theatre is a production of the Manhattan
Theatre Club. It takes place in a small
English coastal village, in the kitchen
of a cottage where two retired nuclear
engineers (Deborah Findlay and Ron
Cook) live. An uninvited guest (Francesca
Annis) appears with a strange
request. The three of them had worked
together in the nuclear facility many
years ago. For almost two excruciating
hours without an intermission, they
utter a barrage of cliches about
marriage, children, adultery, old
age, radiation and cancer. It is a grim,
depressing tale, that has a gruesome,
unbelievable ending. The three
fine actors are directed by James
Macdonald. The highlight of the
tedious play is when the three
characters, recalling their younger
days, perform a step dance.
Off-Broadway, Describe
the Night, by Rajiv
Joseph, is a production of the
Atlantic Theater Company. It,
unfortunately, is indescribable. The
convoluted plot jumps from year to year
in no particular order, beginning in
1920 for about 90 years. The seven
member cast, directed by Giovanna
Sardelli, scream and yell
repeatedly. Also, the sound design and
music is loud and painful on one's ears.
Every year Susan
L. Schulman makes a special Chicken
Liver party in her home. It is one of
the loveliest parties of the year.
Guests like Kathleen
Chalfant, Penny Fuller, Lee
Roy Reams and many more come to
enjoy her delicious food and drink wine,
sherry and stronger drinks, while
chatting with all the guests. Since the
tradition began ages ago, I have never
missed one. I'm already looking forward
to next year!
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I attended the opening night party of Cruel
Intentions: The Musical, at
Le Poisson Rouge, 158 Bleecker St. It is
the musical version of the 1999 film,
with a talented cast. I photographed the
curtain call and the cast (photo
below) afterwards. The party
was wonderful, and the venue is a large
space, with tables and a long bar, where
one can enjoy the performance, while
imbibing one's favorite drink. It is a
delightful room.
Heather Headley (photo
below) was honored at the 10th
Annual Broadway Dreams Supper at the
Plaza. Among the guests were Jerry
Mitchell, Rob Ashford, Wayne Cilento and Denee
Benton. Every man looked elegant and
every lady looked beautiful in their
lovely gowns. It was a wonderful
affair.
I attended the opening night party for Bulldozer:
The Ballad of Robert Moses at
Deacon Brodies, 370 West 46th St, where I congratulated the star Constantine
Maroulis.
It was a lively party and I enjoyed chatting with the director, the composer and
many of the creative team, while drinking a delicious Sauvignon Blanc and
munching on mozzarella sticks, sliders and tatas.
I attended a concert at Weill Recital Hall at Carnegie Hall A
Middle Eastern Christmas: From the Mediterranean to the Americas, starring
the Lebanese-American tenor Amine
J. Hachem,
backed by eight excellent musicians, conducted by Brian
Holman at
the piano. The varied program included opera arias, Italian folk songs, a
Christmas Medley, with a choral group and a special appearance by Omar
Rahbany at
the piano leading the musicians in his own composition Zook: The
Power Station.
It was an interesting evening, and the packed house gave the performers a
rousing ovation.
I photographed the cast of Mary
Shelley's Frankenstein at
Shetler Studios. the cast is headed by Robert
Fairchild and Paul
Wesley. It opens at the Pershing Signature Center on
December 27, and my review will be in my column after the opening, which I will
attend.
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