The Humans, by Stephen
Karam,
at the Helen Hayes Theatre, was reviewed
Off-Broadway. It has now transferred to Broadway, and
I saw it again. It has received, generally, good
reviews. The six member cast is excellent, under Joe
Mantello's direction. It is a tale of a family
Thanksgiving dinner, in which all types
of financial and health (both mental and physical) problems,
are discussed by each individual, except the
grandmother, who is suffering from dementia. She,
plus the mother (Jane
Houdyshell),
father (Reed
Birney) and
a sister have arrived from Pennsylvania to dine with
the younger sister and her boyfriend. There is constant pounding
from the apartment above the young couple, who have
just moved into their dilapidated apartment, plus
various lights go off at times leaving the ending in
darkness. There is a saying that Misery
Loves Company, and, although there is humor at
times, the point is proved in this play.
A revival of Buried
Child,
by Sam
Shepard,
is a production of the New Group, directed by Scott
Elliott,
at the Pershing Square Signature Center, with an
excellent seven member cast. It takes place in a
bizarre rundown home, where everyone is slightly
crazy. When a grandson (Nat
Wolff) arrives, after being away for six years,
no one recognizes him. It is a weird tale, but
fascinating to watch. Ed
Harris stars
as the dying grandfather, and gives a splendid
performance. The opening night party took place at
KTCHN at the OUT NYC, with the playwright Sam
Shepard, Lois
Smith, Holly Hunter, Polly Draper and Adam
Rapp.
Prodigal Son, written
and directed by John
Patrick Shanley, is a production of the
Manhattan Theatre Club. It is an autobiographical
tale about the author when he was a rebellious
15-year-old and was accepted at a prestigious
Catholic boarding school, where for two years he
misbehaved beating up younger students, stealing and
getting drunk. Timothee
Chalamet, who plays the young author, gives a
splendid performance as a rebel without a cause.
New York City Center Encores!
presented Cabin
in the Sky, music by Vernon
Duke, lyrics by John
Latouche, book by Lynn
Root. The Encores! performances are always a
delight, especially when they bring back forgotten
musicals like this 1940 Broadway production. The
plot is slight, but the music and dancing are
unforgettable. The cast is perfect with LaChanze stealing
the show with her magnificent voice, singing among
other songs Taking
a Chance on Love. Michael
Potts, Chuck Cooper, Norm Lewis andCarly
Hughes act
and sing wonderfully. Another highlight of the
musical is when the ensemble sings another hit song Dry
Bones. The dancers, choreographed by Camille
A. Brown, are terrific. Ruben
Santiago-Hudson directed
this thoroughly entertaining fairy tale about a man
(Potts), who misbehaves and is dying, being granted
another six months to change his life. His devoted
wife (LaChanze) helps him achieve this so they both
can be reunited in heaven.
Maurice Hines Tappin'
Thru Life received
his caricature at Sardi's with a wonderful cocktail
reception attended by his cast and guests like Julie
Budd and Andre Shields. It
was a lively event.
American Psycho presented
selections from the upcoming Broadway production at
the New 42nd Street Studios starring Benjamin
Walker. It
has music and lyrics by Duncan
Sheik and
is directed by Rupert
Goold. It opens on April 20 at the Gerald
Schoenfeld Theatre. I eagerly await the opening
night.
|
I attended a conversation with Riccardo
Frizza, who
is conducting Maria
Stuarda at
the Metropolitan Opera, with Oliver
Sachs at
the Italian Cultural Institute, 686 Park Ave. The
following month Fabio
Luisi will
be interviewed. The conversation was pleasant and
intelligent, and the questions were thoughtful.
There were three video clips shown of Frizza as a
young conductor leading an orchestra in Beethoven's Symphony
No. 9. and later as an experienced conductor
conducting the overture t
The Humans, by Stephen
Karam,
at the Helen Hayes Theatre, was reviewed
Off-Broadway. It has now transferred to Broadway, and
I saw it again. It has received, generally, good
reviews. The six member cast is excellent, under Joe
Mantello's direction. It is a tale of a family
Thanksgiving dinner, in which all types
of financial and health (both mental and physical) problems,
are discussed by each individual, except the
grandmother, who is suffering from dementia. She,
plus the mother (Jane
Houdyshell),
father (Reed
Birney) and
a sister have arrived from Pennsylvania to dine with
the younger sister and her boyfriend. There is constant pounding
from the apartment above the young couple, who have
just moved into their dilapidated apartment, plus
various lights go off at times leaving the ending in
darkness. There is a saying that Misery
Loves Company, and, although there is humor at
times, the point is proved in this play.
A revival of Buried
Child,
by Sam
Shepard,
is a production of the New Group, directed by Scott
Elliott,
at the Pershing Square Signature Center, with an
excellent seven member cast. It takes place in a
bizarre rundown home, where everyone is slightly
crazy. When a grandson (Nat
Wolff) arrives, after being away for six years,
no one recognizes him. It is a weird tale, but
fascinating to watch. Ed
Harris stars
as the dying grandfather, and gives a splendid
performance. The opening night party took place at
KTCHN at the OUT NYC, with the playwright Sam
Shepard, Lois
Smith, Holly Hunter, Polly Draper and Adam
Rapp.
Prodigal Son, written
and directed by John
Patrick Shanley, is a production of the
Manhattan Theatre Club. It is an autobiographical
tale about the author when he was a rebellious
15-year-old and was accepted at a prestigious
Catholic boarding school, where for two years he
misbehaved beating up younger students, stealing and
getting drunk. Timothee
Chalamet, who plays the young author, gives a
splendid performance as a rebel without a cause.
New York City Center Encores!
presented Cabin
in the Sky, music by Vernon
Duke, lyrics by John
Latouche, book by Lynn
Root. The Encores! performances are always a
delight, especially when they bring back forgotten
musicals like this 1940 Broadway production. The
plot is slight, but the music and dancing are
unforgettable. The cast is perfect with LaChanze stealing
the show with her magnificent voice, singing among
other songs Taking
a Chance on Love. Michael
Potts, Chuck Cooper, Norm Lewis andCarly
Hughes act
and sing wonderfully. Another highlight of the
musical is when the ensemble sings another hit song Dry
Bones. The dancers, choreographed by Camille
A. Brown, are terrific. Ruben
Santiago-Hudson directed
this thoroughly entertaining fairy tale about a man
(Potts), who misbehaves and is dying, being granted
another six months to change his life. His devoted
wife (LaChanze) helps him achieve this so they both
can be reunited in heaven.
Maurice Hines Tappin'
Thru Life received
his caricature at Sardi's with a wonderful cocktail
reception attended by his cast and guests like Julie
Budd and Andre Shields. It
was a lively event.
American Psycho presented
selections from the upcoming Broadway production at
the New 42nd Street Studios starring Benjamin
Walker. It
has music and lyrics by Duncan
Sheik and
is directed by Rupert
Goold. It opens on April 20 at the Gerald
Schoenfeld Theatre. I eagerly await the opening
night.
|