Callaway, Barrett and
Cookie
Make Joints Jumping!
By Ward Morehouse III
Two of greatest and most
inventive cabaret and jazz singers have been heating up
Manhattan after dark. Ann Hampton Callaway, in my view
the greatest jazz and cabaret singer of her generation,
and Chris Barrett, perhaps the most brilliant
pianist-singer since the late Bobby Short and Cole
Porter himself, have cast spells of unbounded joy at
Birdland and La Rivista, respectively. And at 80 years
"young," Cookie Stark, the
indomitable singer/director Eric Michael Gillett's
latest "discovery," is delightfully droll at the Laurie
Beechman Theatre. As Myra Chanin of Times Square
Chronicles had said about Cookie in TSC: "Regrets? I
have only one. That Cookie wasn't a singing octogenarian
between 1956 and 1962 when Steve Allen or Jack Parr
would have made her household word."
Ms. Callaway's new show at Birdland called “Bridges”
– inspired by the song by Brazilian composer
Milton Nascimento -- featured
such songs as George and Ira Gershwin's "Let's Call the
Whole Thing Off", and Paul Simon's "Bridge Over Troubled
Water.” And her rendition of the late Billy Strayhorn's
"Chelsea Bridge," an homage to one of London's famed
Thames River crossings, was as bewitching as a couple in
love in the London fog.
"Ann
Hampton Callaway is one of the leading champions of the
great American songbook," said Broadway World in its
rave review of her show at Birdland on 44th Street just
west of Eighth Avenue. "Her gifts as a singer, composer,
lyricist, arranger, actress, educator, TV host and
producer have given her one of the most unique careers
in music today." I would go further: Ann Hampton
Callaway is as great as the late Ella Fitzgerald and
Frank Sinatra. Put Ann Hampton Callaway and Tony
Bennett, who many consider the best singer alive
today, side by side and you'll never hear such
sensational sinopation.
With its
distinctive Brazilian flare, "Bridges" is a sultry,
torrid, joyous fiesta. But by the time Ms Callaway sings
her 10th song, Paul Simon's, the audience is in for a
shock: her show won't go on for another hour - or two!
-- so spellbound she had it. Her all-star trio featured
fabulous Ted Rosenthal
at the piano, masterful
Martin Wind on bass and a just terrific
Tim Horner on
drums. Significantly,
“Bridges” also explores how people move beyond
their differences and fears. Says Callaway: “During
the recent election, people became so hostile,
forgetting about what they had in common and focusing
only on their differences. Music has the power to heal
and so I am offering a show that puts a new light on
things for this new year, using the symbol of a bridge
as a beautiful image to contemplate in all its forms.”
Ms Calloway shot to
international fame for writing and singing the theme for
Fran Drescher’s hit TV series 'The Nanny" and has
written over 250 songs including the Platinum Award
winning hits for Barbra Streisand "At the Same Time" and
"I've Dreamed of You".
* * *
Pianist/Singer Chris Barrett
brings more than elegance and old world charm to La
Rivista on Restaurant Row every Monday, Tuesday and
Wednesday with two sets a night, at 8PM and 10 PM. And
you haven't seen someone play the piano and sing with
such ease and charm unless you were fortunate enough to
see the late Bobby Short at The Carlyle or even Cole
Porter himself. His "dance" medley, including "Shall We
Dance," "Change Partners" and "It Only Happens When I
Dance With You" were the next best thing to watching
Fred Astaire and Ginger Rogers do those numbers while
dancing. In fact, I have excepted Ginger herself to
float into La Rivista any moment.
Mr.
Barrett's repertoire of songs of legendary American
composers is never-ending yet each time he sings he has
a fresh and winning smile that makes you feel this
is not only the first time he's done the song - - but
the first time anyone's done it!
Mr. Barrett's longtime fans, of which
there are a great many, will be at least figuratively
rocked to the rafters of La Rivista. As will newcomers
to the "Chris Barrett songbook," as I call it. He sings
and plays with devastating authority that even though
he didn't sing Cole Porter's "You're the Top" on opening
night, the classic song from Poeter's musical "Anything
Goes," Porter himself, who was known the trifle with the
song to put in more of his own private "tops," aside
from "Waldorf salad," and "a Berlin ballad," might have
might well have added, "A Barrett Ballad" to his song
had he heard Chris Barrett do it. La Rivista is at 313
West 46th Street just west of Eighth Avenue.
* * *
Hosted by Cookie Stark, "Cookie"s
Corner," with special guest star 2012 Julie Wilson Award
Winner Shana Farr (and directed by Eric Michael Gillett,
with musical direction by Jeff Cubeta), premiered Sunday
January 27 to a packed audience at the Laurie Beechman
Theatre, 407 West 42nd Street.
Ms Farr, now out with her debute
album "Out of the Shadows," looked radiant and sang
flawlessly. He rendition of "Over the Rainbow" was
refreshingly upbeat for all the song's own plaintive
pathos.
Jodi Beck, an
actress/singer/songwriter and Chris J. Handley were
two of the best things in the afternoon. Eva Kantor, who
played the title role in the national tour of "Anne of Green
Gables," is as delightful to look at as she is endearing to
hear. She will be in her first solo show, "The Way I am"
directed by Mr. Gillett, with musical direction by the
incomparable Don Rebic, this spring. Lynn Kearney, who
appeared on Broadway in the original production of "Annie,"
had grace and great vocal style. Mr. Gillett will soon open
his new cabaret adventure called "Careless Rapsody: The
Lyrics of Lorenz Hart" at 54 Below beginning February 4. His
special variety series will appear every other month at the
Laurie Beechman with the next performance scheduled for
Sunday, March 3 at 3PM. |