The Martha Graham Dance Company’s
annual gala will celebrate the launch of their
Political Dance Project at Cedar Lake on May 19,
2010 at seven o’clock.
The honorary gala committee includes
Doo-Ri Chung, Anna Quindlen, Lesley
Stahl and Faye Wattleton. Gala Co-Chairs
are Victoria Geduld, Patrick Leonard and
Calvin Tsao. The Gala committee includes
LaRue and Archibald Allen,
Edward and Magda Palacci Bleier, Amy and Philip
Blumenthal, Anita Durst, Janet Eilber and John
Warren, Beth and Rob Elliott, Victoria and Buzzy
Geduld, Laura J. Gordon and Michael Mishik, Inga and
Frank Golay, Lisa Resling Halpern, Peggy Lyman Hayes
and Richard Hayes, Christine Jowers and Rob
Friedman, Lena Kaplan, Deborah Kramm, Madeleine
Kristofferson and John Ray, Patrick Leonard,
Lorraine and John Oler, Adam and Judith Pinsker,
Neila and Jeffrey Radtke, Judith and Herbert
Schlosser, Paul Szilard, Lee and Marvin Traub,
Calvin Tsao, Ronald Windisch and Janice Stanton
and Inger K. Witter.
Among the guests expected that night
is Josie Natori.
Guests will be treated to a special dance
performance that will preview the Political Dance
Project during cocktail hour followed by a superb
dinner. The dancers will perform selections from the
political dance solos of the upcoming season
including The Revolutionary, by Isadora
Duncan and I Ain’t Got No Home, by Sophie
Maslow. Duets from American Document (2010)
and from Graham’s classic Appalachian Spring
will be performed. Thirty three High School
students who have been chosen through an exciting
all-city audition will perform the opening section
of Graham’s 1935 work,
Panorama.
The evening will celebrate the
much-anticipated Martha Graham Dance Company’s June
Season, which will debut the company’s Political
Dance Project.
Premiers include a
re-conceived staging of American Document
directed by Anne Bogart, created and performed by
the Martha Graham Dance Company and SITI Company,
and Dance is a Weapon. The classics Appalachian
Spring, Panorama, and Sketches from Chronicle will
also be performed.
Tables and tickets for the Gala are
priced as follows:
Gala Tables
-$15,000 Sponsor
Premium seating for a party of ten
-$10,000
Benefactor
Priority seating for a party of ten
-$5,000
Patron
Preferred seating for a party of ten
Gala Tickets
- $1,000
Priority seating
-$500
Preferred seating
*
Gala guests will receive
complimentary admission to Martha Graham Company
opening night at the Joyce Theater (6.8.10) with the
purchase of their tables or tickets while supplies
last.
To purchase tickets and tables please
call 718.681.2560 or visit
http://www.nycharities.org/events/EventLevels.aspx?ETID=1458
About The Political Dance Project:
“We are highlighting the era of the
1930s when the nascent art form of American modern
dance was fueled by the political and social
activism of the time,” says Martha Graham Dance
Company’s artistic director Janet Eilber. “Modern
dance took on the plight of the oppressed of all
races and backgrounds. Dances were created as if
‘ripped from the headlines’ – with themes that
aligned modern dance to the complex social concerns
of the day including the financial crisis, civil
rights, workers rights, and the rise of fascism in
Europe. The performances at the Joyce will explore
the issues of that time and how they reverberate
today in the ongoing dialogue about who we are as a
nation.”
American Document (2010) premiering
on opening night is not a dance by Martha Graham,
but it is closely tied to one of her seminal works,
American Document from 1938. This new
American Document is a theatrical piece directed by
Anne Bogart for six actors from SITI Company and ten
Graham dancers. Using filmed excerpts, written
descriptions and Graham’s handwritten notes, Bogart
and playwright Chrles L. Mee have reinvented
American Document for the 21st century
by incorporating text from a variety
of sources including Walt Whitman’s poetry and blogs
from American soldiers in Iraq. The work, which
includes speaking and dancing by all the performers,
probes the same issues as Graham’s original: what is
an American?
American Document (2010)
will be followed by Martha Graham’s
1936 masterwork Sketches from Chronicle on
the evenings of June 8, 11, 12 and 13.
Dance is a Weapon
will premiere on June 9th. This
multimedia montage envisioned by Janet Eilber and
based on an exhibit created by Victoria Geduld, has
text, images and media by Ellen Graff, Victoria
Geduld and Nancy Stevens, and presents dances from
the 1920’s and 1930s, by Graham and her
contemporaries. Dance is a Weapon opens with
a solo by Isadora Duncan: The Revolutionary.
It is a rallying cry -- inspiring action and
courage. This is followed by three other seminal
solos of the era: Tenant of the Street by Eve
Gentry (a portrait of a homeless woman – downtrodden
but defiant); I Ain’t Got No Home (from Dust Bowl
Ballads) by Sophie Maslow (a solo evoking the
displaced people of the Dust Bowl Era, bowed by
circumstances but determined to move on;) and
Time is Money by Jane Dudley (a powerful
statement against “the machine” of commerce).
These solos will be followed by
Panorama, work by Graham from 1935 that speaks
of the power of the people to take social action.
The cast for Panorama at the Joyce will be
thirty-three high school students from all over New
York City chosen for these performances by a
city-wide audition process.
The Dance is a Weapon montage
will conclude with Graham’s “Steps in the Street”
and “Prelude to Action,” two sections of her work
Chronicle from 1936. Eilber notes, “This is the
same year Martha turned down Hitler’s invitation to
perform at the International Arts Festival running
concurrent with the Olympic games in Berlin.”
Performed by the women of the company, “Steps in the
Street” evokes the devastation and isolation that
war leaves in its wake while “Prelude to Action”
suggests a response.
Dance is a Weapon
will be followed by the work Graham
created in 1944 as her contribution to the war
effort, Appalachian Spring, on the evening of
June 9 and the matinee on June 13.
On June 10th, the Company will
present an “All Graham” program: Panorama,
Appalachian Spring, Lamentation Variations, and
Sketches from Chronicle.
Lamentation Variations
commemorates the anniversary of 9/11
and premiered on that date in 2007. The work opens
with a film from the early 1930s of Martha Graham
dancing movements from her then new, and now iconic,
solo, Lamentation. The variations that follow
were developed by choreographers Larry Keigwin, and
Bulareyaung Pagarlava. Each created a choreographic
sketch of their reaction to the Graham film.
Originally to be performed one night only, the
audience reaction to Lamentation Variations
was such that it has been added to the permanent
repertory of the Martha Graham Dance Company and new
variations have been commissioned.
The June 12 matinee will include the
premieres of three new dances based on the original
Graham American Document. Three
choreographers (all leading dancers with the Martha
Graham Company) have been paired with three
composers to create new American Document
“Episodes.” They have chosen text that speaks to the
American experience and that will be woven into the
dancing. The composers are creating music with
specific instrumentation that relates to the
original score for American Document. Graham
II, the Graham Center’s pre-professional company,
will be featured in the new episodes. The
choreographers are Tadej Brdnik, Samuel Potts and
Blakeley White-McGuire. They are paired respectively
with composers Patrick Leonard, Allen Krantz, Daniel
Bernard Roumain and Patrick Leonard.
The Martha Graham Dance Company is
exploring new and creative ways to connect Graham’s
extraordinary legacy to today’s audiences. While the
company offers world-class performances of the core
collection of Graham masterworks, it also continues
to take on innovative projects that honor Martha
Graham’s appetite for the new.
The Graham season programming
includes a great range of creative events including
multimedia enhancement; classic works from Graham’s
contemporaries; a Graham masterwork performed by
thirty-three high school students from all over New
York City; three premieres by emerging
choreographers and important composers; performances
of seminal Graham masterpieces; and a major new
dance/theater work which will premiere on opening
night.
To reserve Joyce season tickets for
The Martha Graham Dance Company please call
212.242.0800 or visit
http://www.joyce.org/
About The Martha Graham Dance
Company:
Founded in 1926 by dancer and
choreographer Martha Graham, The Martha Graham Dance
Company is the most celebrated contemporary dance
company in America. Since its inception, the Martha
Graham Dance Company has received international
acclaim from audiences in over 50 countries
throughout North and South America, Europe, Africa,
Asia, and the Middle East. The Company has performed
at the Metropolitan Opera, Carnegie Hall, the Paris
Opera House, Covent Garden, and the John F. Kennedy
Center for the Performing Arts, as well as at the
base of the Great Pyramids of Egypt and in the
ancient Herod Atticus Theatre on the Acropolis in
Athens, Greece. In addition, the Company has also
produced several award-winning films broadcast on
PBS and around the world.
Acknowledged as “one of the great
companies of the world,” according to Anna
Kisselgoff, former chief dance critic of The New
York Times, the Martha Graham Dance Company has
been lauded by critics throughout the world. Alan M.
Kriegsman of The Washington Post referred to
the Company as “one of the seven wonders of the
artistic universe,” while Los Angeles Times
critic Martin Bernheimer noted, “They seem able to
do anything, and to make it look easy as well as
poetic.” Ismene Brown of The Daily Telegraph,
London, touted the Martha Graham Dance Company’s
performance as “Unmissable,” and for Donald Richie
of Japan Times these dancers were “Graham’s
perfect instrument.”
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